LES
GAY, BI
TRANSGENDER
PRIDE GUIDE
More Tales arrive just in time for Pride
by Jeffrey L. Newman
It has been a long road for Armistead Maupin to bring the sequel to his best selling novel Tales of the City to the small screen.
After PBS dropped plans to film the follow-up, More Tales of the City, following an outcry from the religious right after the it aired the first Tales movie in 1994, it looked as if a sequel would never be made.
But last year, Showtime coughed up $8 million to produce the sixhour miniseries, which premieres in two parts on June 7 and 8, and will run on the cable network throughout June and July.
Columbus had the privilege of being one of four cities to host a sneak preview. Judging from the audience's response at the May 27 screening, held in the Westin Great Southern ballroom, it looks as if Showtime's $8 million will be money well spent.
"It's been a long road to get to
here, but I'm very excited," said the 53-year old Maupin, who is single
and lives in San Francisco. “We didn't have any difficulty with the making of the film. The production entity wanted to be as faithful to the film as possible. There was no censoring in any way. I'm very proud of what we have to offer people. I can't predict what response will be. But I'm very happy with the film we've produced."
Most of the original cast has returned for the sequel, including Olympia Dukakis, Laura Linney, Bill Campbell and Barbara Garrick. Only three of the original actorsChloe Webb, Paul Gross and Marcus D'Amico-opted not to
return.
Also joining the cast for the second round are Parker Posey (seen in the original film), Swoosie Kurtz, Edward Asner, Sheila McCarthy and Paul Bartel, as well as openly gay actors Scott Thompson (Kids in the Hall) and Dan Butler (Frasier).
"There was a special pleasure with reuniting with the cast members who did come back and finding us on that set again," Maupin says. “It's like revisiting an old family estate and finding it's still intact."
Tales of the City is the story of a very gay San Francisco in the 1970s, during the heyday of gay cruising, bathhouse pick-ups, deep kissing, bawdy humor and sleeping around. The sequel picks up just days after the first one ends and takes place on the Pacific Coast of Mexico and in Nevada, in addition to San Francisco.
More Tales is a much more adventurous story than the first Tales.
There's a fair amount of casual frontal nudity in the new film, and an extended masturbation scene.
In one major scene, the main characters Jon and Michael are seen naked in bed, while a news broadcast featuring famed anti-gay proponent Anita Bryant airs in the background. In the broadcast, Bryant is railing on about the sins of homosexuality.
In the original book version, Bryant's campaign to repeal a gay civil rights law in Miami is introduced by way of Michael's mother. But Maupin wanted a more cinematic way to portray
"The idea of having
John and Michael in the midst of lovemaking when Anita Bryant announces her
campaign in a
network TV movie
was too good to pass up.
"
the historic event, and used the original 1977 television footage of Bryant for the film.
"The idea of having John and Michael in the midst of love making when Anita Bryant announces her campaign in a network TV movie was too good to pass up," Maupin says of the controversial scene. "I imagine there will be a fair number of Bible-thumpers who will not be happy with me again."
Also, unlike the first film, More Tales features a developing lesbian love story between two of the main characters. "It's a very lovely story line,” Maupin said. "We clearly have two women who start as friends and end up falling in love with each other, which seems to happen more frequently in lesbian life than in gay male life."
Maupin says his goal with the second movie was to challenge the viewers even more than the first time. For the author, that means lots of sex and blunt language.
"Until society gets used to that imagery, homosexuality will remain demonized," he says. “It sounds like all I'm out to do is shock and scandalize. But there's
a moral message at the center of it all, which has to do with tolerance and acceptance and a lot of corny things that I believe in.”
While Maupin is quick to point out that during the filming of the first movie in 1993, PBS did not put any restrictions on the script or try to censor his work, he praises the freedom that cable offers for work such as his.
“PBS was great in allowing us to film the first installment the way we wanted to. They never told us we couldn't do this or do that. It wasn't until after the first one aired that the trouble began,” Maupin says. "It's also many years after the first one and times have changed. We wanted to bring a new dimension to the project and push the envelope even that much more."
The author says the most challenging part of adapting his books to the small screen was not giving in earlier in his career to bringing his books to movie theaters.
"It took a great deal on my part not to sell out to Hollywood at a time when it would have completely bastardized the story,” he says. "Writing it for television is tremendously satisfying. It lends direction and power to the kind of storytelling that I like to do."
Raised in Raleigh, North Carolina, Maupin grew up in an era when being gay was not acceptable or openly discussed, and felt very isolated and alone as a gay teenager.
"I grew up in North Carolina at a time when it seemed to be one of the worst places to be young and gay," he recalls, adding that he remained a virgin until he was 25. "I had very few role models. Liberace was one of few examples of homosexuality in American culture, and that was a pretty terrifying prospect."
He says one of the reasons getting Tales filmed for TV is so important is because of the impact it could have on gay and lesbian teens, whose only escape often is watching television.
"I grew up listening to ghost stories with friends around the camp fire. So it was thrilling when, as an adult, I could help eliminate through writing the great pain of my childhood, which was the solitude I felt as a young queer. It thrills me to death that this miniseries is out there floating around, making life easier for pre-teens and teenagers who already know they are gay," Maupin says.
"Almost every gay person ! know had to come to terms with
SECTION C
ERIC LIEBOWITZ
Armistead Maupin on the set of 28 Barbary Lane, the home of many Tales characters.
their life in their late 20s, and that's a difficult time to be dealing with adolescent issues. Our lives are postponed by a culture that won't acknowledge we exist when we are that young," he adds. "I knew I was queer when I was 12 or 13. Most kids know where their fundamental attraction lies when they are that age, and then they hate themselves for something that is fundamental to who they are."
In 1971, at age 27, Maupin moved to San Francisco and "met straight people who were more comfortable with homosexuality than I was. It made me realize that it was okay to be gay," he recalls.
An unknown writer at the time, Maupin landed a job at the San Francisco Examiner where he began to write a fictional column about gay life. It was 1976 and no one was explaining gay life.
Two years later, an editor at Harper Collins sent a note to the writer asking him to adapt his columns into a book. The result was Tales of the City.
The book became an instant bestseller and is considered one of the quintessential gay books of the last two decades. A total of six books have been published in
the Tales series, extending to the late 1980s.
Outside the Tales saga, Maupin has only written one novel, 1996's Maybe the Moon, which he is currently adapting for the big screen. His next book will be published in time for Christmas 1998, and like Maybe, will feature various characters that originated in the Tales saga. Still untitled, the new book is a psychological suspense story centering on a gay writer.
And if More Tales is a success, Showtime is likely to film the remaining four stories of the series.
"That's my ultimate dream," Maupin says. "The head of Showtime has indicated that he plans to continue if he gets the response from viewers, which is why it's important that people write letters to Showtime and order the channel for that month," Maupin says.
"Of course," he adds, "I have enjoyed the thought that PBS will sorely regret not pursuing this miniseries when the rating for this soars through the roof." ✓
Jeffrey L. Newman is a New York writer who can be reached via e-mail at editorjeff@aol.com.